I know, I know… a crotch gag. I couldn’t resist. There hasn’t been a lot of humor in the comic lately, so I wanted to lighten up such a dire moment. I think I succeeded.
It looks like our heroes are making short work of these minions, but what else does Mordred have in store? Find out next week!
Preview of upcoming comic!
Friday - July 30, 2010
This isn’t something I’ve really done before, but seeing as how my comic only updates once a week, I’ve decided to give a taste of what’s to come. Hopefully this will keep you hooked between Tuesdays.
Here is a glimpse of a sketch for a future comic:
Ooh! What could it mean??? I hope this doesn’t give away anything. I’m trying to play pretty close to the chest when it comes to the plot. Although this is a glimpse, you really won’t understand it until you see the whole comic.
Expect this issue to be out the second week in August (yeah I know, but I work about 2 weeks ahead).
An early inspiration: The Boy’s King Arthur
Thursday - July 29, 2010
As a child I was fortunate enough to have access to my grandfather’s copy of “The Boy’s King Arthur.” Although the book itself was in a fragile state, I took great pains to peruse its pages. I remember being captivated by not only the legendary stories, but by the breath-taking artwork within. Having an inclination towards the visual even then, I can not embellish the dramatic impact these illustration had on my imagination.
The artist was none other than the seminal N. C. Wyeth, student of the great artist Howard Pyle, father of artists Andrew and Jamie Wyeth. He illustrated many classic stories, including Treasure Island, Robinson Crusoe, and Robin Hood. His artwork was vividly realistic, capturing the adventure and depth of the Arthurian legends as no one else could. It brought those timeless characters to life for me, and I knew a part of my soul would never escape their mystery and influence.
Whenever I think of those wonderful stories, in fact anything relating to the Middle Ages, I think of the artwork from that book. My great love for the fantasy genre and for the culture and ascetic of those times can be largely credited to that work.
For more examples of N. C. Wyeth’s contribution to “The Boy’s King Arthur,” browse Wikimedia Commons’ collection of page scans.
An Introduction into the World of Fantasy
Wednesday - July 28, 2010
I am aware that some of you may not be dyed-in-the-wool fantasy fans as I am. Rest assured that enjoying my comic can be the first step into a much greater and more colorful world for you. Let me take a moment to point you to a few materials that will hopefully whet you appetite for this greatest of genres.
“Fantasy” itself is a very wide, blanket term. So let’s focus on the kind of fantasy that is actually good. I must make a note, first, to dissuade you of the notion that things like Star Wars or Star Trek are fantasy. They are not. They are science-fiction (in fact, pretty much anything that contains the word ‘star’ in the title is probably sci-fi, except Stardust). The reason the two genres are so often combined is because fans of one are often fans of the other. Beyond that the content, in my opinion, differs greatly.
The most well-known form of fantasy is called “high fantasy.” These are the stories set in unique worlds, separate from out own, with lush histories and landscapes. The plots usually revolve around epic struggles upon which entire civilizations pivot. For those eager to read some of this, I recommend The Hobbit by J. R. R. Tolkien, or the lesser known Phantastes by George MacDonald (a tough read but well worth it). For a more modern read, I cannot recommend enough The Name of the Wind by Patrick Rothfuss.
Another very common form of fantasy is called “sword and sorcery.” A little odd-sounding I know. It was coined to describe the sort of writing made popular by Robert E. Howard and his lovable Conan the Cimmerian. This sort of fantasy epitomizes grand, swashbuckling heroes pitted against dark and, often vile, magical beings (or monsters, lots and lots of monsters). The focus is on the personal quest/conflict of the hero and how he can obtain his goal.
For some great modern fantasy novels, go after anything by Neil Gaiman. His work is literally defining the genre for this generation (Neverwhere is my personal favorite). His work often throws a normal person into very supernatural circumstances and how he is invariably changed by the experience. A body of work that will forever change the way you view the world is The Book of the New Sun by Gene Wolfe. His work is very much beyond description (not for the faint of heart fantasy fan, though. It is for the very hungry).
Why is fantasy so important? I feel fantasy stories give us a more pure window into our existence. They strip away the superficial trappings of our modern world and force us to look at conflict at its true sources. We see good and evil plainly. We root for the good hero and can see his weapons of victory are readily at hand. In our often drab and disillusioning age, we don’t always know who’s the villain or more importantly who’s the hero. A refreshing fantasy tale can sometimes remind us.
I hope you venture forth and enjoy some fantasy today.

