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Tales of Maora

Tales of Maora

Adam Casalino, writer

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inspiration

Writing up the wall: things I do between the pages

bookcovers

The book covers above are just a sample of what I’ve been reading the last few months.  In addition there are a few more novels, books of poetry (Dylan Thomas), various collections of world folklore (thank you public domain) and a few on writing.  This seems like an insane amount to read.  I think I read fast, but I also know the trick of reading a little each day.

Inspiration comes in many forms, and while The Left Hand of Darkness may not influence Quippley (actually that is the one book that might), something of it will ooze out of my head one day.

I’m  going to try to talk about how these books influence my ideas, and take a look at how the creative process works.  Last year I tried to chronicle a similar journey.  That stalled out, not because I stopped reading, but the books I forced myself to read were far too terrible to go on.  Maybe one day I will post my thoughts on Dead Witch Walking but I fear the evil that would be wrought through me by doing so (I really hated that book).

This process will be loose and I will post when something bubbles up and bursts.  Some of it may be of interest to you, some of it may not.  Maybe they’ll be a take away that will help you in your creative journey.  Or maybe you’ll find a good book to read.

Anyone interested in the above books, I’ll post links to them here and now:

The Left Hand of Darkness, by Ursula K. Le Guin
The Maltese Falcon, by Dashiell Hammett
Foundation, by Isaac Asimove
Drawing of the Three, by Stephen King
The Man Who Was Thursday, G. K. Chesterton
Fool Moon, by Jim Butcher

 

A not-so-surprising influence: Harry Potter

BlogAs I continue my on-going series of fantasy influences of mine, it may come as no surprise to mention Harry Potter.

From June-July 2009 I blitzed through books 2-7, in hopes of being read up by the time “Half Blood Prince” was released in theatres.  I managed to finish all of them before seeing the movie—and of course was able to point out all the changes they made from the original story.

Around that time I was debating what to do with a book I had written a year earlier.  I was getting little attention from literary agents, not being Stephen King.  Without an agent I would never get published via a big press.  So I turned to the internet.

I realized I could produce my own website, featuring creative work of my own, and begin to build a fan-base around myself.  But—for some strange reason—I didn’t think strangers would want to visit a website simply for the writing.  So I figured—during a bout of insanity—that I would start a webcomic.

After being so engrossed in wizardly books, I figured I’d make a comic about one.  Beyond that, however, I don’t think there is much similarity between Harry Potter and my dear Algerbane.  I made it a point to omit wands from my comic, and any other overtly “Potterish” themes.  Aside from a few stabs at Rowling’s stories, my wizarding world is uniquely my own (of course, I’m sure there are those of you may disagree).

I will say Rowling’s inventiveness is truly inspiring.  Throughout her books, she introduced a variety of magical items of her own creation (hocruxes were particularly impressive).  That penchant for creating details in her work that are entirely new to fantasy (by and large) is something I try to emulate in my own.

Now if I could sell my story for an 8 movie deal…

An early inspiration: the Works of J. R. R. Tolkien

BlogWe all knew this one was coming.  My first encounter with the works of Tolkien was, surprisingly, at a later point in my life than you’d think.  It was 7th grade and in Literature class we read “The Hobbit.”  The story was vaguely familiar to me: I had seen the series in paperback form scattered amongst my step-sister’s books and the image of slimy Gollum on the cover made an indelible impression on my mind.

J. R. R. TolkienWhen first examining the story, I was less than enthused.  Throughout my childhood I had avoided stories where the main characters were humble, seemingly ‘weak’–namely children.  So imagine my disdain for a story who’s hero was a small, whining child-like person.  I wanted to see tall and proud knights, supermen or warriors.  But Tolkien’s magic worked its way into my mind and by the time actual people were introduced at Esgaroth, they seemed foreign and distant to me.  I wanted to stay with the dwarves and hobbits.

Soon after, I discovered my mother was a devout fan of his work (to this day I don’t know why it had never come up before).  I picked up her copy of “Fellowship of the Ring” …and never made it passed the prologue.

It took the release of the movies to finally push me to read the trilogy.  I quickly became a purist fan, being mildly upset at the editorializing of the films.  I can honestly say there were scenes in the book that were far more thrilling than anything portrayed on screen (ie: Gandalf verses the Witch King before the gates of Minis Tirith).

The SilmarillionAny true inspiration, however, didn’t come until I was exposed to “The Silmarillion.”  I purchased a mass market paperback copy and tried to read it.  Unfortunately, I couldn’t get past the strange and hard to pronounce names (of course I wasn’t reading it aloud, but even in my mind this posed a challenge).  I found a copy of an old audio recording of the book, and took it with me during long walks.

The serene surroundings of an empty Florida subdivision, coupled with the powerful voice of Martin Shaw, seared the story into my psyche.  The grand depth of the creation of Middle-earth and the epic struggle of the mighty Valar and the elves was far more exciting and provoking to my imagination than any other Tolkien work (I guess I’m still looking for heroes in my fiction).  The beauty and sorrow of Beleriand was captivating and intriguing.

So how has this influenced my work?  Look around :P.  I think I will always be chasing Tolkien, whether in my comic or writing.  I will always be looking for a city like Valmar, perfect and shining with the Sun.  In my heart there lays an ancient anchor, pulling me to a world that is old and mystic, free of the shallow accoutrement of our age.  So whether in real life or in my fiction I search for it.  Perhaps I will never fully see it until I die.

“For the lesser even as for the greater, there is some deed that he may accomplish but once only and in that deed his heart shall rest.”

A little bit more about Mordred

Mordred when he first appeared to Algerbane and Peter
Mordred when he first appeared to Algerbane and Peter

BlogI thought I’d let you in on some of the inspiration for our wicked villain.  In the coming week’s we’ll learn much more about his past, but until then here’s some info on how I developed him.

The name was a bit of a mistake.  I wanted to give him a menacing sounding name, without being too trite or cliche.  I had written out a few different names beside early sketches, but when it came time to write and draw out his first appearance, I didn’t have those pages with me.  So I picked the name that sounded best.  As it turns out, “Mordred” was the name of King Arthur’s illegitimate son who brought about his death.  I didn’t intend to take the name of an already existing character, but it works, so I’m sticking to it.

The inspiration for his appearance originated in a sketch I had done of Melkor a few years ago.  Melkor is a character from The Silmarillion a story by J.R.R. Tolkien about the First Age of Middle Earth.  Melkor was a Lucifer-type character who fell from his position as a guardian of the World to become its first Dark Lord (and renamed Morgoth by the elves).  In the beginning he appeared as a beautiful being, but later was dark and corrupt in appearance.  Here is the early drawing where I juxtaposed both versions of him.  I wanted Mordred to be similar in style to the early Melkor: a being who was a picture of physical perfection, but was black and evil from within.  It’s that sort of deceptive contrast that makes him such a dangerous villain (the style of dress, as well as the hair, was also inspired by Melkor).

If you have been taking note, however of his appearances in each comic, you’d have seen that behind the attractive visage, there are lines of insanity.  He grins at the thought of his evil plans, while lines of anger and rage creep along his face.  His is utterly powerful and utterly unstable.

But how did he come to be this way?  What is the extent of his power?  Much of his origins will be revealed in the coming weeks, so stay tuned!

An early inspiration: The Boy’s King Arthur

BlogThe Boy's King Arthur coverAs a child I was fortunate enough to have access to my grandfather’s copy of “The Boy’s King Arthur.”  Although the book itself was in a fragile state, I took great pains to peruse its pages.  I remember being captivated by not only the legendary stories, but by the breath-taking artwork within.  Having an inclination towards the visual even then, I can not embellish the dramatic impact these illustration had on my imagination.

The artist was none other than the seminal N. C. Wyeth, student of the great artist Howard Pyle, father of artists Andrew and Jamie Wyeth.  He illustrated many classic stories, including Treasure Island, Robinson Crusoe, and Robin Hood.  His artwork was vividly realistic, capturing the adventure and depth of the Arthurian legends as no one else could.  It brought those timeless characters to life for me, and I knew a part of my soul would never escape their mystery and influence.

Whenever I think of those wonderful stories, in fact anything relating to the Middle Ages, I think of the artwork from that book.  My great love for the fantasy genre and for the culture and ascetic of those times can be largely credited to that work.

For more examples of N. C. Wyeth’s contribution to “The Boy’s King Arthur,” browse Wikimedia Commons’ collection of page scans.

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